Many musical theater cognoscenti maintain that The King and I is Rodgers and Hammerstein’s overall strongest show (though Carousel is frequently regarded as leader on score and “feels” fronts). I will admit that for years its charms eluded me. Partially because my mom was never particularly fond of it (or Deborah Kerr), so the movie didn’t play a part in my childhood. The only live production I ever saw was a semi-professional affair that some friends were in that I mostly remember for its ugly unit set and length. The only cast recording at my disposal growing up was the Original Broadway Cast, and that disk vanished from my collection a decade ago (and didn’t get much play while I had it because of my distaste for Gertrude Lawrence’s singing).
A few weeks ago I was alerted to a promotion on amazon that offered a digital download of the 2000 London Cast Recording (starring Elaine Paige) for $5, and have since been bitten by a The King and I bug. Continue reading